Emmanuelle Devos

Kings & Queen

April 9th, 2011 by Wayward Muse

Desplechin makes very long movies, full of incredibly neurotic and dysfunctional individuals and families having very odd interactions involving a whole lot of philosophical and literary dialogue. This film is a prime example. Nobody is really a hero or heroine; everybody is an anti-hero, with some good qualities, but their humanity generally shines through. The film portrays a somewhat cynical and tragic view of life, but with a strange sense of humor to balance it out. If that doesn’t sound like fun to you, give this a miss. Desplechin’s more recent film, A Christmas Tale, is at least oddly uplifting; Kings and Queen is much less so, though a case could be made that Devos triumphs over her father’s malevolence, or that sheer survival is a kind of triumph. Read More…

La Moustache

April 8th, 2011 by Wayward Muse

I’ll warn off folks who need to have things neat and tidy right off the bat, because there is nothing neat and tidy about this film. When you watch the extras, you’ll see Emmanuelle Devos state that she still doesn’t understand the bit about the moustache! Well, if she doesn’t, how are we supposed to? At various times throughout the story I thought Marc was crazy, his wife Agnes was crazy, or Agnes was plotting to make Marc think he was crazy. I’m still not sure which, if any, of these is the case. One of the really interesting things I experienced while watching this was the twists and turns in my own reactions; fear, sympathy, suspicion and distrust, loathing, frustration…and constantly jumping to conclusions…it was a great ride! Read More…

A Christmas Tale (The Criterion Collection)

April 6th, 2011 by Wayward Muse

A Christmas Tale is the story of a dysfunctional family that comes home for a little Christmas healing. The whole cast is exceptional, and the characters are captivating. It’s not particularly edgy or exceedingly artsy (a little, but not too); things I rather enjoy typically, but I thought it was great nonetheless. It is very “artistic” but in a very accessible rather than experimental way. It’s very long at 2 1/2 hours but I wasn’t bored for a moment and could just go on and on voyeuristically enjoying these terrific performances and fascinating characters. Even the most outrageously dysfunctional behaviors just seem “natural” not maudlin, not exploitative, not sensationalized. All the various relationships are treated with so much more nuance and sophistication than most Hollywood offerings—always a great draw of foreign film. Read More…

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